During Milan Design Week 2019, more specifically Salone del Mobile, Knoll celebrated an important anniversary: the Bauhaus centenary. With that, they brought in a couple of novelties for their brand, specifically some new collections alongside some of its most iconic products. In this initiative, Knoll emphasised a clear set of values […]
Cracco: See The Singular Design And Elegance of Milan’s New Restaurant – Cracco is the eponymous new restaurant of Italy’s Michelin-starred chef Carlo Cracco. The exquisite design of this four-floor culinary paradise is just as compelling as the incredibly innovative food.
This is the work of Laura Sartori Rimini and Roberto Peregalli, the Milanese master decorator architects who work together as Studio Peregalli. These masters of atmosphere both worked with the legendary Renzo Mongiardino and, like him, their work is suffused with evocative detail.
Mongiardino proved to be very good at restaurant design when he decided to transform his favorite local restaurant, Belle Epoque, into an elegant study. With milky green Anaglypta walls and flattering amber and alabaster lights that were actually cast from resin, proving that Mongiardino isn’t afraid to harness contemporary innovations into his quest to evoke the past.
Cracco is set in the Galleria Vittorio Emanuele II, designed by architect Giuseppe Mengoni to unite the Piazza del Duomo with the Piazza della Scala with a soaring shopping arcade. Inaugurated in 1877, it soon became the glamorous heart of the city’s luxury trades: the original Prada store opened here in 1913. By the later 20th century, however, the Galleria had long lost its luster, and in recent years the city’s Mayor began a program to restore its former glory.
Peregalli and Rimini won a civic competition to evoke those glory years of the Galleria, with their harmonious scheme to restore its long-vanished grand restaurants and cafes. Carlo Cracco, meanwhile, won the bid to make over a four-story building in the arcade, and brought in Studio Peregalli for the transformation. “There were no historical traces,” recalls Laura Rimini, “through the years everything had been destroyed.” Therefore, Studio Peregalli needed to reinvent the Galleria’s storied past from its imposing late 19th splendor through the glamour of the 1930s, so that the interiors reflected the views.
Rimini found a document of plump Poiret-esque flowers and amplified the pattern to a new scale, creating a striking wallpaper in the entrance gallery; a brace of huge, gilt-framed mirrors hung opposite each other amplify the effect further still. Peregalli’s craftspeople transformed the space into a series of intimate paneled and mirrored dining rooms, in a harmonious celadon green palette. A soft Deco-patterned fitted carpet and woven horsehair curtains keep the noisome world at bay, wrapping diners in a luxurious cocoon.
The building’s ground floor had been a Mercedes car showroom: now it is a convincingly Belle Epoque café and patisserie with 1920s counters found in Paris and a mosaic floor that echoes Mengoni’s original design and elegance. The handsome iron elevator, clad in painted glass and brass, takes guests upstairs to the gourmet restaurant which was once, unbelievably, a warren of dreary municipal offices.
Image Source: Cracco Restaurant
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